Arthur Sullivan |
Selv om Sullivan er uløselig knyttet til operettene, var han regnet som en av de største komponistene i viktoriatidens Storbritannia. Han var etablert som en seriøs komponist i god tid før samarbeidet med Gilbert kom til. Dette var en romantisk tid, og de store følelsene ble utbrodert ikke minst i musikken.
Adelaide Anne Proctor |
Verket ble raskt populært. I etterkant av den store tragedien med Titanics forlis i 1912 sang den verdensberømte tenoren Enrico Caruso Sullivans vakre og melonkolske verk ved en minne- og støttekonsert ved The Metropolitan Opera i New York.
Hør Enrico Caruso synge den sørgmodige, men vakre "The Lost Chord":
Seated one day at the organ,
I was weary and ill at ease,
And my fingers wandered idly
Over the noisy keys.
I know not what I was playing,
Or what I was dreaming then;
But I struck one chord of music,
Like the sound of a great Amen.
It flooded the crimson twilight,
Like the close of an angel's psalm,
And it lay on my fevered spirit
With a touch of infinite calm.
It quieted pain and sorrow,
Like love overcoming strife;
It seemed the harmonious echo
From our discordant life.
It linked all perplexèd meanings
Into one perfect peace,
And trembled away into silence
As if it were loth to cease.
I have sought, but I seek it vainly,
That one lost chord divine,
Which came from the soul of the organ,
And entered into mine.
It may be that death's bright angel
Will speak in that chord again,
It may be that only in Heav'n
I shall hear that grand Amen.
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